Formal structure of [121] "The Inner Light": Intro 0:00-0:28 Verse 1 0:28-0:48 Bridge 0:48-1:06 Chorus? 1:06-1:29* Verse 2 1:29-1:49 Bridge 1:49-2:07 Chorus? 2:07-2:25 Coda (ch) 2:25-2:36 Comments: The first thing to keep in mind about "The Inner Light" is that it is another of Harrison's Indian influenced songs. As a result, the formal nomenclature appropriate for the Beatles' other works does not necessarily apply in the same sense to this one. And sure enough, a conflict appears over what to call the sections immediately following the bridges. Are they choruses or middle 8s? I chose the designation chorus because the bridge's purpose (as witnessed in other songs) is to bridge the verses and choruses. No Beatles song so far has used a bridge to connect the verse and middle 8. Furthermore, the point of a middle 8 is to contrast the verses, and while there is an increase in energy (characteristic of choruses), there is little harmonic contrast. This is typical of Indian style music, which employs long drones or pedal points. So I went with chorus. Alan Pollack, in his systematic cataloging and analysis of Beatles tracks, chose "break" as his formal designation - yet another defensible choice, especially since in the first of the two choruses/middle 8s/breaks, the vocals are omitted in favor of an instrumental break. It all boils down to the fact that pop song formal descriptions are not perfectly compatible with Indian music... Regardless, the macro-scale formal structure can be seen as two groups of verse/bridge/chorus, bookended by an intro and coda:
Also notice that the final chorus is abbreviated (18 seconds long instead of 23, as was the first chorus). This is because the last chorus segues to the coda (which itself is an extension of the chorus).
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[121] "The Inner Light" The middle 8 is used twice, lasting 8 or 9 measures and 23 or 18 seconds each time (the second iteration transitions to the coda, accounting for the slightly shortened duration), totaling 26.3% (41/156) of the song's duration. [122] "Lady Madonna" The middle 8 is used thrice (with the middle of those three replacing vocals with a saxophone solo), lasting 8 measures and 18 or 17 seconds each time, totaling 38.7% (53/137) of the song's duration. The middle 8s also modulate from A Major to C Major. [123] "Across the Universe" "Across the Universe" is the 46th Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses. [124] "Hey Bulldog" "Hey Bulldog" is the 47th Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses. [125] "Revolution 1" "Revolution 1" is the 48th Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses. [126] "Don't Pass Me By" "Don't Pass Me By" is the 49th Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses. [127] "Revolution 9" "Revolution 9" is the 50th Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses. [128] "Blackbird" The middle 8 is used twice, lasting 4.5 measures and 11.5 seconds each time, totaling 16.7% of the song's duration. [129] "Everybody's Got Something to Hide Except for Me and My Monkey" "Everybody's Got Something to Hide Except for Me and My Monkey" is the 51st Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses. [130] "Good Night" The middle 8 is used thrice, lasting 4 measures and 14 or 15 seconds each time, totaling 22.3% of the song's duration. [131] "Ob-La-Di Ob-La-Da" The middle 8 is used twice, lasting 8 measures and 15 seconds both times, totaling 16.0% of the song's duration. The middle 8 tonicizes IV. [132] "Revolution" "Revolution" is the 52nd Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses. [133] "Cry Baby Cry" "Cry Baby Cry" is the 53rd Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses. [134] "Helter Skelter" "Helter Skelter" is the 54th Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses. [135] "Sexy Sadie" The middle 8 is used twice, lasting 5.5 measures and averaging 11.5 seconds each time, totaling 11.9% of the song's duration. [136] "While My Guitar Gently Weeps" The middle 8 is used twice, lasting 16 measures and 34 seconds each time, totaling 23.69% of the song's duration. The middle 8 modulates from A minor to A major. [137] "Hey Jude" The middle 8 is used twice, lasting 11.5 measures and 37.5 seconds each time, totaling 17.5% of the song's duration. [138] "Mother Nature's Son" The middle 8 is used twice, lasting 7.5 measures and 21 seconds each time, totaling 25.1% of the song's duration. [139] "Yer Blues" The middle 8 is used thrice, lasting 4 measures and averaging about 10 seconds each, totaling 12.1% (29/239) of the song's duration. [140] "Rocky Raccoon" The middle 8 is used twice, lasting 8 measures the first time and 9 measures the second (because the second middle 8 concludes the song), averaging 24 seconds each, which totals 22.6% (48/212) of the song's duration. [141] "Wild Honey Pie" "Wild Honey Pie" is the 55th Beatles song not to use a middle 8. The novel structure of the song has no need for a middle 8. [142] "Back in the USSR" The middle 8 is used twice, lasting 10 measures and 17 seconds each time, totaling 14.7% (24/163) of the song's duration. [143] "Dear Prudence" The middle 8 is used once, lasting 5.5 measures and 17 seconds, totaling 7.2% (17/235) of the song's duration. [144] "Glass Onion" The middle 8 is used once, lasting 10 measures and 19 seconds, totaling 13.9% (19/137) of the song's duration. This middle 8 concludes with two bars borrowed from the end of verse B. [145] "I Will" The middle 8 is used once, lasting 8 measures and 19 seconds, totaling 18.1% (19/105) of the song's duration. [146] "Birthday" The middle 8 is used twice, lasting 10 measures and 14 seconds each time, totaling 17.3% (28/162) of the song's duration. The middle 8 modulates form A major to C major. [147] "Piggies" The middle 8 is used once, lasting 7 measures and 18 seconds, totaling 14.6% (18/123) of the song's duration. [148] "Happiness is a Warm Gun" "Happiness is a Warm Gun" is the 56th Beatles song not to use a middle 8. The novel structure of the song has no need for a middle 8. [149] "Honey Pie" The middle 8 is used twice, lasting 8 measures and 13 seconds each time, totaling 16.3% (26/160) of the song's duration. [150] "Savoy Truffle" The middle 8 is used twice, lasting 8 measures and averaging 15.5 seconds, totaling 21.1% (31/174) of the song's duration. [151] "Martha My Dear" The middle 8 is used twice, with the first iteration incorporating a substantial extension. The first middle 8 (extension included) is 15.5 measures and 42 seconds long; the second is 8.5 measures and 23 seconds long. Combine these two, and the middle 8 totals 43.9% (65/148) of the song's duration. [152] "Long Long Long" The middle 8 is used once, lasting 7.5 measures and 26 seconds, totaling 14.1% (26/185) of the song's duration. [153] "I'm So Tired" "I'm So Tired" is the 57th Beatles song not to use a middle 8. Instead, the chorus serves as a contrast to the verses. [154] "The Continuing Story of Bungalow Bill" "The Continuing Story of Bungalow Bill" is the 58th Beatles song not to use a middle 8. Instead, the chorus serves as a contrast to the verses. [155] "Why Don't We Do It In The Road" "Why Don't We Do It In The Road" is the 59th Beatles song not to use a middle 8. (There is no contrast to the verses, with the possible exception of the percussion introduction). [156] "Julia" The middle 8 is used once, lasting 5 measures and 18 seconds, totaling 10.2% (18/176) of the song's duration. Updated cumulative chart: ![]()
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