Formal structure of [166] "One After 909":
          Intro (v)     0:00-0:09
                    Anacrusis   0:00-0:01
                    Beat               0:01-0:09
          Verse 1        0:09-0:29
          Verse 2       0:29-0:51
          Middle 8    0:51-1:12
          Verse 3       1:12-1:33
          Solo (v)       1:33-1:54
          Middle 8     1:54-2:15
          Verse 4 (abbr.)  2:15-2:34
          Coda (ext. of v4)  2:34-2:54

Comments: The coda is an extension of the final verse.

The solo is based on the verse.

Verses 1 and 2 are contiguous (as they were in [1] "Love Me Do", [7] "Do You Want to Know a Secret", [8] "Misery", [9b] "Anna (Go To Him)", [9c] "Boys", [9d] "Chains", [9f] Twist and Shout, [10] "From Me To You", [13e] "Till There Was You", [17] "Little Child", [19] "Not a Second Time", [23] "Can't Buy Me Love", [25] "And I Love Her", [26] "I Should Have Known Better", [28] "If I Fell'', [29] "I'm Happy Just to Dance With You", [31] "A Hard Day's Night", [31b] "Matchbox", [32] "I'll Cry Instead", [35] "Things We Said Today", [40] "I Don't Want To Spoil the Party", [41] "What You're Doing", [42] "No Reply", [43] "Eight Days a Week", [44] "She's a Woman", [44b] "Kansas City/Hey Hey Hey Hey", [46d] "Words of Love", [47] "Ticket to Ride", [49] "I Need You", [50] "Yes It Is", [51] "The Night Before", [52] "You Like Me Too Much", [54] "Tell Me What You See", 56b] "Dizzy Miss Lizzy", [56c] "Bad Boy", [57] "I've Just Seen a Face", [59] "Yesterday", [66] "If I Needed Someone", [68] "We Can Work it Out", [71] "Michelle", [77] "Tomorrow Never Knows", [80] "Paperback Writer", [82] "Doctor Robert", [84] "Taxman", [88] "Yellow Submarine", [89] "I Want To Tell You", [92] "She Said She Said", [95] "Penny Lane", [96] "A Day in the Life", [99] "Fixing a Hole", [100] "Only a Northern Song", [101] "Being for the Benefit of Mr. Kite", [105] "Within You Without You", [111] "All Together Now", [114] "All You Need Is Love", [116] "I Am the Walrus", [122] "Lady Madonna", [126] "Don't Pass Me By", [128] "Blackbird", [129] "Everybody's Got Something to Hide Except for Me and My Monkey", [135] "Sexy Sadie", [138] "Mother Nature's Son", [139] "Yer Blues", [140] "Rocky Raccoon", [143] "Dear Prudence", [144] "Glass Onion", [145] "I Will", [149] "Honey Pie", [152] "Long Long Long", and [163] "For You Blue").

The middle 8s each have two subsections - an 8 bar phrase, which is immediately repeated (with different lyrics).

[157] "Dig a Pony""Dig a Pony" is the 60th Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses.

[158] "I've Got a Feeling"
The middle 8 is used once, lasting 5 measures and 14 seconds, totaling 8.7% (19/218) of the song's duration.

[159] "Don't Let Me Down"
The middle 8 is used once (as the keystone of a palindromic structure), lasting 8 measures and 25 seconds, totaling 11.6% (25/215) of the song's duration.

[160] "Get Back"
"Get Back" is the 61st Beatles original not to use a middle 8. The chorus instead serves as a contrast to the verses.

[161] "Two of Us"
The middle 8 is used twice, lasting 6 measures and and 14 seconds, totaling 13.0% (28/216) of the song's duration.

[161b] "Maggie Mae"
The middle 8 is used once (although that's debatable), lasting 8 measures and 15 seconds, totaling 37.5% of the song's duration. But, of course, this is incomplete. Had the full song been present, no doubt the middle 8 would not constitute such a significant portion of the track.

[162] "Dig It"
"Dig It" is the 62nd Beatles original not to use a middle 8. The novel structure has no need for a middle 8.

[163] "For You Blue"
"For You Blue" is the 63rd Beatles original not to use a middle 8. The novel structure has no need for a middle 8.

[164] "Let It Be"
"Let it Be" is the 64th Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses.

[165] "The Long and Winding Road"
The middle 8 is used twice (including the break as a middle 8), lasting 4 measures and 14 seconds each time, totaling 12.8% (28/218) of the song's duration.

[166] "The One After 909"
The middle 8 is used twice, lasting 16 measures (which can be subdivided into two 8-bar phrases) and 21 seconds each time, totaling 24.1% (42/174) of the song's duration.

[167] "I Want You (She's So Heavy)"
"I Want You (She's So Heavy)" is the 65th Beatles original not to use a middle 8. The novel structure has no need.

[168] "Ballad of John and Yoko"
The middle 8 is used once, lasting 8.5 measures and 16 seconds, totaling 8.9% (16/179) of the song's duration.

[169] "Old Brown Shoe"
The middle 8 is used twice, lasting 12 measures and an average of 20.5 seconds each time, totaling 20.7% (41/198) of the song's duration.

[170] "Something"
The middle 8 is used once, lasting 8 measures and 28 seconds, totaling 15.4% (28/182) of the song's duration.

[171] "Oh! Darling"
The middle 8 is used twice, lasting 8 measures and averaging 33.5 seconds, totaling 32.4% (67/207) of the song's duration.

[172] "Octopus's Garden"
The middle 8 is used once (although that's debatable), lasting 8 measures and 21 seconds, totaling 30.0% (21/170) of the song's duration.

[173] "You Never Give Me Your Money"
"You Never Give Me Your Money" is the 66th Beatles original not to use a middle 8. It's structure (as part of the massive "Abbey Road Medley") does not need one.

[174] "Her Majesty"
"Her Majesty" is the 67th Beatles original not to use a middle 8. It's structure (as part of the massive "Abbey Road Medley") does not need one.

[175] "Golden Slumbers"
"Golden Slumbers" is the 68th Beatles original not to use a middle 8. It's structure (as part of the massive "Abbey Road Medley") does not need one.

[176] "Carry that Weight"
"Carry that Weight" is the 69th Beatles original not to use a middle 8. It's structure (as part of the massive "Abbey Road Medley") does not need one.

[177] "Here Comes the Sun"
The middle 8 is used once. Due to time signature changes that could be interpreted in any number of different ways, counting the duration of the middle 8 in measures is pointless; however, in seconds the duration is 41 seconds. This totals 22.2% (41/185) of the song's duration. The middle 8 consists of 6 iterations of the same pattern (the part with the lyrics "Sun, sun, sun, here it comes") in the first of which vocals are omitted.

[178] "Maxwell's Silver Hammer"
"Maxwell's Silver Hammer" is the 70th Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses.

[179] "Come Together"
"Come Together" is the 71st Beatles original not to use a middle 8. Instead, the chorus serves as contrast to the verses.

[180] "The End"
"The End" is the 72nd Beatles original not to use a middle 8. It's structure (as part of the massive "Abbey Road Medley") does not need one.

[181] "Sun King"
"Sun King" is the 73rd Beatles original not to use a middle 8. It's structure (as part of the massive "Abbey Road Medley") does not need one.

[182] "Mean Mr. Mustard"
"Mean Mr. Mustard" is the 74th Beatles original not to use a middle 8. It's structure (as part of the massive "Abbey Road Medley") does not need one.

[183] "Polythene Pam"
"Polythene Pam" is the 75th Beatles original not to use a middle 8. It's structure (as part of the massive "Abbey Road Medley" does not need one.)

[184] "She Came in Through the Bathroom Window"
The middle 8 is used twice, lasting 6.5 measures and averaging 14 seconds, totaling 23.7% (28/118) of the song's duration.

[185] "Because"
The middle 8 is used once, lasting 4 measures and 19 seconds, totaling 11.5% (19/165) of the song's duration.

[186] "I Me Mine"
The middle 8 is used twice, lasting 10 measures and 18 seconds both times, totaling 24.7% (36/146) of the song's duration.


Complete Middle 8 chart: