[77] "Tomorrow Never Knows" "Tomorrow Never Knows" is the 22nd Beatles original not to use a middle 8. [78] "Got To Get You Into My Life" "Got To Get You Into My Life" is the 23rd Beatles original not to use a middle 8. Instead, the bridge and chorus function as a contrast to the verses. [79] "Love You To" The middle 8 is used 4 times, lasting 6 measures and 11 seconds the first and third times, and 4 measures and 7 seconds the second and fourth times (where they meld seamlessly into sitar solos, accounting for their abbreviated length), all of which totals 20.0% (36/180) of the song's duration. [80] "Paperback Writer" "Paperback Writer" is the 24th Beatles original not to use a middle 8. Instead, the break functions as a contrast to the verses. [81] "Rain" The middle 8 is used twice, lasting 12 measures and averaging 27.5 seconds, totaling 30.6% (55/180) of the song's duration. [82] "Doctor Robert" The middle 8 is used twice, lasting 8 measures and 12 seconds each time, totaling 17.9% (24/134) of the song's duration. [83] "And Your Bird Can Sing" The middle 8 is used twice, lasting 8 measures and 15 seconds each time, totaling 25.0% (30/120) of the song's duration. [84] "Taxman" The middle 8 is use once, lasting 9 measures and 16 seconds, totaling 10.1% (16/158) of the song's duration. [85] "I'm Only Sleeping" The middle 8 is used twice, lasting 8 measures and 9 seconds each time, totaling 10.0% (18/179) of the song's duration. [86] "Eleanor Rigby" "Eleanor Rigby" is the 25th Beatles original not to use a middle 8. Instead, a bridge and chorus functions as a contrast to the verses. [87] "For No One" The middle 8 is used three times, lasting 5 measures and 15 seconds the first two times, and 5 measures and 19 seconds the third time (because it also functions as a coda), totaling 41.2% (49/119) of the song's duration. [88] "Yellow Submarine" "Yellow Submarine" is the 26th Beatles original not to use a middle 8. Instead, the breaks and choruses function as a contrast to the verses. [89] "I Want to Tell You" The middle 8 is used twice, lasting 8 measures and 15 seconds each time, totaling 20.4% (30/147) of the song's duration. [90] "Good Day Sunshine" "Good Day Sunshine" is the 27th Beatles original not to use a middle 8. Instead, the choruses function as a contrast to the verses. [91] "Here There and Everywhere" The middle 8 is used twice, lasting 4 measures and 12 second each time, totaling 16.7% (24/144) of the song's duration. This middle 8 modulates from G major to B-flat major, the same tonal relationship (Tonic to flat submediant and back) that was used in [48] "Another Girl" and [55] "You're Going to Lose That Girl") [92] "She Said She Said" The middle 8 is used twice, lasting 11 measures and averaging 20 seconds each time, totaling 25.6% (40/156) of the song's duration. This middle 8 employs two sub-sections, changes time signature from quadruple to triple, and tonicizes (but NOT modulates to!) E-flat. As with the previous chapters of this study, I am including a chart that summarizes all my findings to this point:
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Taxman
Eleanor Rigby
I'm Only Sleeping
Love You To
Here There and Everywhere
Yellow Submarine
She Said She Said
Good Day Sunshine
And Your Bird Can Sing
For No One
Doctor Robert
I Want to Tell You
Got To Get You Into My Life
Tomorrow Never Knows
Formal structure of "Yellow Submarine": Verse 1 0:00-0:18* Verse 2 0:18-0:36* Chorus 0:36-0:53 Verse 3 0:53-1:06 Break 1 1:06-1:10 Chorus 1:10-1:27 Break 2 1:27-1:45 Verse 4 1:45-2:02 Chorus/Coda 2:02-2:38* Comments: Verses 1 and 2 are contiguous (an aspect also found in [1] "Love Me Do", [6] “I Saw Her Standing There”, [7] "Do You Want to Know a Secret", [8] "Misery", [9b] "Anna (Go To Him)", [9c] "Boys", [9d] "Chains", [9f] Twist and Shout, [10] "From Me To You", [13e] "Till There Was You", [17] "Little Child", [19] "Not a Second Time", [23] "Can't Buy Me Love", [25] "And I Love Her", [26] "I Should Have Known Better", [28] "If I Fell'', [29] "I'm Happy Just to Dance With You", [31] "A Hard Day's Night", [31b] "Matchbox", [32] "I'll Cry Instead", [35] "Things We Said Today", [40] "I Don't Want To Spoil the Party", [41] "What You're Doing", [42] "No Reply", [43] "Eight Days a Week", [44] "She's a Woman", [44b] "Kansas City/Hey Hey Hey Hey", [46d] "Words of Love", [47] "Ticket to Ride", [49] "I Need You", [50] "Yes It Is", [51] "The Night Before", [52] "You Like Me Too Much", [54] "Tell Me What You See", [56b] "Dizzy Miss Lizzy", [56c] "Bad Boy", [57] "I've Just Seen a Face", [59] "Yesterday", [66] "If I Needed Someone", [68] "We Can Work it Out", [71] "Michelle", [77] "Tomorrow Never Knows", and [80] "Paperback Writer", [82] "Doctor Robert", and [84] "Taxman") In this case, the coda is simply repetitions of the chorus which are faded out. The first break may well be considered a solo, and in that regard, it functions rather like a solo that serves as part of the verse, replacing the verse vocals (just as the Beatles did in [10] From Me To You, [31] "A Hard Day's Night", [51] "The Night Before", and [52] "You Like Me Too Much", [67] "In My Life", [84] "Taxman", [85] "I'm Only Sleeping", and [87] "For No One", except that in this case the vocals lead for 75% of the verse while the solo for only 25%, whereas the previous Beatles songs to use that trick were all 50% vocals and 50% solo). Verse 1, verse 3, and break 2 all share strumming patterns (Lennon's rhythm guitar playing is the same in all three of those sections), but it's different in verses 2 and 4. In that way, rather similar to [87] "For No One", "Yellow Submarine" can be seen as three iterations of two verses plus chorus, but with the second of these three omitting one verse:
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