As influential as Little Richard was on the young Beatles, Buddy Holly was even more so.
First of all, Buddy Holly's band, the Crickets, inspired the Beatles own insectoid name.
Quoting Paul McCartney: "I remember talking to John about this. 'Cricket. What a fantastic idea, it's a little grasshopper, and it's a game.' Well, they came over, they had no fucking idea cricket was a game, to them it was just a little chirping grasshopper from Texas, so it was actually quite a boring name. But we were turned on like nobody's business by the idea of a double meaning, so with our wit and wisdom and whatever, we wanted something that would have a double meaning. Beetles were little insects, so that took care of that, but with an 'A' it became something to do with beat" (Miles, page 52). Lennon confirms this: "I was looking for a name like The Crickets that meant two things, and from crickets I got to beetles. And I changed the BEA, because 'beetles' didn't mean two things on its own. When you said it, people thought of crawly things; and when you read it, it was beat music" (Anthology, page 41).
Second, it was Buddy Holly who inspired John Lennon and Paul McCartney to play, sing, and write their own songs. Quoting John Lennon: "Buddy Holly was the first one that we were really aware of in England who could play and sing at the same time - not just strum, but actually play the licks" (Anthology, page 11). It is a safe bet to assume that Lennon is referring to Elvis Presley, who was a major influence, but was more of a singer than a guitar player. (I've heard Presley occasionally described that "he wore the guitar better than he played it".) Holly, by contrast, could do both simultaneously. More importantly, Holly wrote original material, further inspiring the Beatles to do likewise. Quoting Paul once more: "I still like Buddy's vocal style. And his writing. One of the main things about The Beatles is that we started out writing our own material. People these days take it for granted that you do, but nobody used to then. John I started to write because of Buddy Holly. It was like, 'Wow! He writes and is a musician'" (Anthology, page 22).
Eventually, of course, the Beatles would write, perform, and record almost exclusively only original material. But in the early years, the band's repertoire leaned heavily on cover songs for the majority of their stage repertoire. And throughout the Quarrymen/Beatles' existence, they played a total of at least 13 Buddy Holly songs in live shows (as dictated in Lewisohn, page 362-65).
Recordings of the Beatles' performances of these Buddy Holly songs exist for only 6 of the 13 listed above.
The first professional recording the Beatles (then the Quarrymen) ever made was their rendition of "That'll Be The Day", recorded 12(?) July 1958, but not commercially released until The Beatles Anthology 1.
The only other Buddy Holly song to date as far back as 1957 was "Peggy Sue", which John Lennon recorded for his 1975 album Rock 'n' Roll.
The Beatles first recorded "Crying, Waiting, Hoping" as part of their ill-fated Decca audition on New Year's Day 1962.
They recorded it again on 16 July 1963 for the radio show Pop Goes the Beatles, the product of which was included on the album The Beatles: Live at the BBC.
The Beatles played "Mailman, Bring Me No More Blues" in their live shows from 1961-62, but never recorded it until January 1969, during the Get Back sessions, which was included on The Beatles Anthology 3.
Similarly, the Beatles never recorded "Maybe Baby" until January 1969, when they jammed during the Get Back sessions.
The A-side companion of "Mailman, Bring Me No More Blues" was the classic "Words of Love", which the Beatles included on their 1964 album Beatles for Sale.
The Beatles also recorded "Reminiscing" in Hamburg in 1962, which was released many years later on the album Live! At The Star-Club.
Though the Beatles never recorded "Raining in My Heart", John Lennon paraphrased the opening lyrics ("The sun is out, the sky is blue") in "Dear Prudence". And although the Beatles themselves never recorded "It's So Easy", Paul McCartney has played it in his live shows. Lastly, though the Beatles never recorded "Think it Over", Ringo Starr did perform the tune as part of the 2011 tribute album Listen to Me: Buddy Holly, issued in honor of what would have been Holly's 75th birthday.
Beatles, The. The Beatles Anthology. Chronicle Books, San Francisco, CA, 2000.
Lewisohn, Mark. The Complete Beatles Chronicle. Pyramid Books, an imprint of Octopus Publishing Group Limited, London, UK, 2006.
Miles, Barry. Paul McCartney: Many Years From Now. Henry Holt and Company, New York, NY, 1997.
4/7/2015 01:29:56 am
Thanks this was very helpful for my Beatles project. Much appreciated. Brighton UK
11/3/2015 01:04:15 pm
I submit I have been a Holley fan for most of my life. As a musician(guitar), Buddy's music is fairly easy to play, which is a major reason for it's widespread popularity. As insignificant as it may be, I add that Holley's last name contained double consonants. The last name of each Beatle has the same characteristic. Odd?
7/23/2017 08:08:10 am
Interesting on the last names all having repeated side by side same(per individual) consonants
4/24/2016 02:46:31 am
Very interesting article! I enjoyed it <3
5/25/2017 05:21:06 pm
I saw Buddy Holly three times. My cousin from Clovis NM bought a reel to reel and we traveled and taped all the groups. I was 17 when Holly died. What a loss. His music was electrifying to hear coming over a reverb in my 1957 Buick Century.
Your comment will be posted after it is approved.
Leave a Reply.
This blog is a workshop for developing my analyses of The Beatles' music.