The other day I blogged about the permanent Picardy third in the choruses of Linkin Park's 'Somewhere I Belong', and how it's the first example I've ever encountered that completely convinces me of the concept. This morning I found the second example that convinces me: 'Easier to Run', four tracks later on the same album. In this case, the mode mixture packs a visceral punch at the onset of each chorus, which compellingly conveys the emotional trauma of the lyrics. This is first-rate songwriting!
Aaron Krerowicz, pop music scholar
An informal but highly analytic study of popular music.