The past few days I've blogged of the permanent Picardy third in Linkin Park's 'Somewhere I Belong' and 'Easier to Run', citing them as the first two songs that thoroughly convince me of the technique. But after thinking about it for a while, I realized that's not entirely true. Alanis Morisette's 'You Ought Know', from her 1995 mega-hit album Jagged Little Pill is equally convincing:
The song is clearly in F# minor - I don't see how anybody could argue otherwise - and yet the chorus consistently employs an F# major triad. It's also an excellent song to demonstrate mode mixture on IV, so I'll be using this as a homework assignment for my sophomore theory class this fall, when we get to the chapter on mode mixture.
The other day I blogged about the permanent Picardy third in the choruses of Linkin Park's 'Somewhere I Belong', and how it's the first example I've ever encountered that completely convinces me of the concept. This morning I found the second example that convinces me: 'Easier to Run', four tracks later on the same album. In this case, the mode mixture packs a visceral punch at the onset of each chorus, which compellingly conveys the emotional trauma of the lyrics. This is first-rate songwriting!
Aaron Krerowicz, pop music scholar
An informal but highly analytic study of popular music.